I was struck by Daemonic and Itladian references: Quilty as the "double" of Humbert Humbert, who shadows him, and even uses "daemon speak" in the hotel; the synchronicities which haunt Lolita and Humbert in their travels ( hotel number is same as house number; a man appears who looks like Humbert's Uncle); the premonitions which Humbert has, and the "inner guidance" from "Annabel Leigh" (a play on words for Edgar Allen Poe's lost muse). There is even the sense of "falling out of time" which haunts Humbert as he confuses Lolita with Annabel:
The spiritual and the physical had been blended in us with a perfection that must remain incomprehensible to the matter-of-fact, crude, standard-brained youngsters of today. Long after her death I felt her thoughts floating through mine. Long before we met we had had the same dreams. We compared notes. We found strange affinities. The same June of the same year (1919) a stray canary had fluttered into her house and mine, in two widely separated countries. Oh, Lolita, you loved me thus!
What strikes me as well, is the similarities in the faces of the stunning 13 year old Dominique Swain, as Lolita (1997), and Tony's unique gaze. As you can see in the pics on my blog, it is the same beautiful face, on both! Daemon eyes: http://musingsinobamasamerica.blogspot.com/2010/09/viewing-nabokovs-lolita-thru-lens-of.html
Anthony Peake has given such a rich treasure with his dyad. What a powerful tool, Tony, you have given mankind! I thank you, as always.

